Shot A · Master · 4K
Master
The wide. Establishes geography, light, mood. Long enough to breathe.
Beyond five-second clips
Long-form,
Long-form,
cinema-grade
AI video.
Most AI video models cap out at five seconds. We make scenes — master shot, zoom-ins, coverage — at 4K, with the same character across every cut. For brands, directors, and studios who need a film, not a clip.
4K
Native master, 3840 × 2160
≥60s
Per shot, per scene
n+1
Master + matched coverage
≤14d
Brief to first cut
A scene, not a clip.
The same beat, generated as a master and a zoom-in. Same world, same wardrobe, cuttable in an edit.
Cut #03 · Scene · 1080p
Cut #03
A later test in the same series. Used as the seed for the 4K masters on this page.
Shot B · Coverage · 4K
Zoom-in
Same beat, closer. Same character, same wardrobe. Cuts cleanly under the master.
What We Make
End-to-end production for the formats that benefit most from long takes and proper coverage.
Hero films & brand
15s, 30s, 60s spots. Master plus three to five matched cuts. Built to grade, built to cut, built to live on a billboard at 4K.
- Native 4K masters
- Matched coverage
- Edit-ready ProRes
Music videos & mood reels
Long, atmospheric, character-consistent. We treat the song as the brief and storyboard scenes around the cuts and beats.
- Beat-aware shot list
- Stable subject across scenes
- Stem delivery on request
Pitch reels & previz
When a deck won't sell it. We turn a treatment or a screenplay into ninety seconds of moving image, fast. Confidential by default.
- Treatment-to-screen in days
- Block scenes beat-by-beat
- Watermark-free deliverable
How It Works
From brief to a cut you can sit with — typically inside two weeks, sometimes inside two days.
-
1
Brief
Half a page is enough. The scene, the mood, references if you have them. We come back with three shot lists.
-
2
Master
The wide goes first. We render at 1080p for speed, then commit to 4K once you've signed off the framing.
-
3
Coverage
Zoom-ins, alt angles, inserts. Generated against the same seed and grade so they actually match in the edit.
-
4
Cut
Delivered as a graded edit (ProRes, H.265) and as raw shots if you want to cut yourself. Stems on request.
From the Reel
A handful of recent shots, chosen to show range. Different model runs, different prompts, different weeks.
Master · 1080p · scene-length
Provenance master
The original proof that scene-length runs were possible. A long-take wide that held up in colour.
Watch in theatre →Bonus · zoom-in · matched coverage
Early zoom-in
The first matched-coverage test in the series. Poster intentionally soft - click to play.
Use Cases
Long-form AI video earns its keep wherever clips need to actually cut.
Brand campaigns
Hero spot + cuts
Music videos
Indie labels, agencies
Pitch reels
Sales-cycle accelerator
Narrative shorts
Festival, broadcast
Previz & storyboards
Directors, studios
Product launches
Hero film + social cuts
Concept films
Sales decks & investors
Editorial & news
Visual essays, explainers
Specs & Deliverables
The kind of detail an editor or finishing house wants before they take a meeting.
Resolution
3840 × 2160
Native 4K. 8K upscales by request.
Length
60–120s
Per shot. Longer scenes cut from masters.
Frame rate
24 / 30
Cinematic 24p, social 30p.
Containers
ProRes · H.265
EXR sequences on request.
Coverage
Master + 3
Default package. More on quote.
Turnaround
≤ 2 weeks
Brief Monday, first cut second Friday.
Let's Talk
Three lines is enough. The scene, the mood, the deadline. We reply within a working day.
Ready to Make a Scene?
From brief to first cut in under two weeks. Pick a slot, send us the scene.